L.A. Witch – September 18th – The Crofters Rights


We welcome back the amazing L.A. Witch after their sold out show at The Crofters Rights last time…. you may or may not have known they had some stuff stolen last time they were hear and we really wanna make it up to them this time! Grab tickets quick!

*Please print off your receipt and bring it with you on the night. If you forget we will have a door list with names of ticket holders too.

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L.A. Witch – September 18th – The Crofters Rights

It’s easy to forget that just a few decades ago, the only viable means for penetrating the golden glamour of Los Angeles was via the dusty trail of Route 66. And just as the arteries of the interstate latched onto the thumping heart of California, so too came the amplified sounds of a new restless generation. There was acid on the streets and revolution in the air, but there were also Hell’s Angels in the alleys and Manson’s family on the desert periphery. It was an age of innocence, beauty, and opportunity, with an underbelly of lawlessness and depravity. And it had a soundtrack.

It’s impossible to listen to L.A. Witch and not hear echoes of that time. The sound of dusty neon and the first dim-lit bars of Sunset ring out with every reverb-drenched note. The juxtaposition of Hollywood allure and Skid Row desperation throbs in every three-chord riff. And the perilous wager of temptation lies in every sultry vocal melody. Yes, L.A. is the land of sunshine, but it also harbors a certain kind of dangerous magic. And no one seems to understand that more clearly than the three women of L.A. Witch. Whether they’re conjuring the downtrodden cowpunk of The Gun Club, the seedy metropolitan balladry of Velvet Underground, or the beefed-up blues of Black Sabbath, L.A. Witch remind us of that exhilarating revelation that a city can elevate you just as quickly as it can grind you into the dirt.

Given the beguiling nature of their music, it’s hardly surprising that L.A. Witch’s recent Brian 7” on Greenway Records in nearly out-of-print. While their vinyl offerings are all on their way to becoming collectors items, some solace can be found in knowing that a reworked version of “Brian” will appear on their debut album later in 2017 courtesy of their new label home at Suicide Squeeze Records.

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